Sculpture Garden

The sculpture garden is defined by two landscaping concepts: Hans Hollein’s Rice Terraces with the planting plan by  landscape architect Peter Latz in the upper half (1974–82) and the pseudo-Baroque ground level by Karl Birkigt on the lower half (1975). Both designs architecturally transformed the former abbey orchard. The sculptures Soft Inverted Q by Claes Oldenburg, Tree of Water / Breath of Leaves by Giuseppe Penone, Juan by Bernhard Luginbühl and Königsstuhl by Anatol were installed in the upper section of the abbey garden in 1982. They are joined by a rectory garden to the west, which is separated by a low wall and adjoins the Romanesque minster.

In 2002, on the occasion of the decentralized EUROGA 2002 plus garden show, the sculpture garden’s program was expanded as part of the "Kunstwege" (Art Trails). With funding from the state of North Rhine-Westphalia and the city of Mönchengladbach, six sculptures by renowned sculptors were acquired. Some of the pieces were specially designed for the abbey garden. Among them, the six-metre high Anello (Ring), constructed out of COR-TEN steel in 2001 by the Italian conceptual artist Mauro Staccioli (1937–2018), has an almost contrapuntal effect. The elegant sculpture takes its location almost literally by appearing to roll down the slope of the lower green, thereby setting the almost hieratic centre of the park in motion.

The Frenchman François Morellet (1926–2016) also belongs to the generation of constructive conceptual art. His almost three metre high Sphère, an orb consisting of intermeshed rectangular stainless steel rods, expresses the penetration of the orb and cube as a visual, insubstantial, rather than haptic form. The almost floating sculpture by Morellet dominates the lower part of the green in the rectory garden. The upper section is dedicated to a more recent form of conceptualism. The Flause sculpture (1998) by Viennese artist Franz West (1947–2012) is a pink pill-shaped aluminium sculpture that is slightly shifted from its vertical axis, a capriccio that whimsically unites pop art, happening and self-reflection.

The intimate bronze stele by Mönchengladbach artist Maria Lehnen (1949–2025) is situated by the steps towards the abbey gardens, creating a conceptual line of sight with the “masculine” throne by Anatol. The remaining sculptures are by three young artists, representing the aesthetics of the 1990s. The American Jorge Pardo (b. 1963) created a group of six small bronzes that line the paths above and beside the fountain. Their organic, abstract amoebic forms have openings and carry plastic bags. As the title Garbage Can reveals, they serve as rubbish containers, combining in a chameleon-like way the role of sculpture with the utility of practical objects.

Dan Peterman (b. 1960) from Chicago focuses on the role of refuse and transience throughout his sculptural material. The root of a copper beach tree in a ruined tower of the old city wall by Spatzenberg is the point of departure for his walk-through sculpture. Slabs and seats made of recycled plastic integrate the dead root to create a quiet corner – a paradigm of permanence and transience.

The combination of nature, art and life is clearest of all in the tree house by Hamburg sculptor Stefan Kern (b. 1966). Situated high in the air around the trunk of an old chestnut, the quadrangular platform made of aluminium sheeting is a utopian, independent development derived from nearby constructive and decorative ideas by Hans Hollein. The walkable gleaming lookout, which can be accessed “at one’s own risk”, hovers in the treetops like a UFO.

Outside the abbey garden, sculptures by Alexander Calder, Thomas Rentmeister, Daniel Pflumm, Ulrike Möschel, Tanja Goethe, Rita McBride and Christian Odzuck send artistic signals and create a connection to the Hans Jonas Park and the square in front of the new shopping mall.

Opening Hours

Monday to Friday
11am – 5pm

Saturday to Sunday
11am – 6pm

Admission free
Short guide: 2,- €